Laura Galindo (songwriter) is a Colombian theatre and music maker. In the last year, she’s been a resident with Ars Nova’s Makers Lab, BarnArts in Maine, and The New Victory Theatre’s Labworks Program. Her one-woman-and-her-band musical, Annie Aspen’s Musical Space Spectacular! was featured in Ars Nova’s 2019 ANT Fest. It’s a love for connection that brought her to music and theatre; both in the ways that the disciplines intersect and the potential they have to communicate profoundly with others. She’s also ramping up for a year of new music with her bandmates, starting with her new single 'Last Place', available for listening everywhere. 

STOMPCAT (songwriters) is a band/religion dedicated to making music that will directly impact the lives of you and your loved ones. They have performed at venues across America, including the Skylark Lounge (Denver), the Mr. Roboto Project (Pittsburgh), Plush (St. Louis), The Way Station (Brooklyn), 54 Below (Manhattan), and Ars Nova (West Manhattan). www.stompcat.com does not work right now.

Daniel and Patrick Lazour (songwriters) are brothers and music theatre writers. They have workshopped their piece We Live in Cairo at the O’Neill National Music Theater Conference and at New York Theatre Workshop under the 2016 Richard Rodgers Award. It premiered at the American Repertory Theatre in May 2019 directed by Obie Award-winner Taibi Magar. They have developed their work during residencies at the O’Neill, Ucross, SPACE on Ryder Farm, Yaddo and the MacDowell Colony. Their new musical community project about cancer treatment, patients and caretakers was workshopped at the Johnny Mercer Writers Colony at Goodspeed Theatre, Rhinebeck Writers Retreat and is being developed with the American Repertory Theater. Patrick and Daniel were 2015-16 Dramatists Guild Fellows and are New York Theatre Workshop Usual Suspects. Most recently, they were artists-in-residence at the American University in Cairo and are teaching artists at Lincoln Center Theater. They perform their songs live at the Boiler Room in New York City. @frereslazour

Storm Thomas (songwriter) is a black-mixed trans/gnc writer, drummer and multi-hyphenate artist from Los Angeles who plays many instruments (drums, guitar, piano, mandolin, midi, etc.) and writes experimental, process-based, afro-futurist musicals: Notes on the Past (Trans Theater Fest), Ancient Future (in-house production, Polyphone Festival), and Be Like Bone (in progress). Storm is a co-founder of the performance collective Theater, But Dance. MFA, Sarah Lawrence College; undergraduate, UC Santa Cruz & CUNY Empire State. Proud member of Rainbow Theater & The African American Theater Arts Troupe (UCSC). Performances: Heather Christian’s Animal Wisdom Album Recording, Streep Show (Connelly Theater), Individual World Poetry Slam (Finals Stage), The Skin of Our Teeth (TFANA), Futurity (Soho Rep/Ars Nova), Obie Awards 2017, Lexus Verses & Flow Season 3 Episode 1 feat. Jill Scott, guest speaker at The Immersive Design Summit on Participation and Agency (Associate Director, The Universe is a Small Hat). Storm is currently in residence with Musical Theater Factory Cohort II.